Julian Bream’s 1957 rendition of Weiss’ Tombeau Sur la Mort left a lifelong impression on me. As a ten-year-old, it ignited a passion for music and inspired me to pick up the guitar. In my formative ...

Performances in N.Y.C. Advertisement Supported by Reporter’s Notebook The company says it has a fix for the unwieldy world of classical streaming. But it’s unclear how much traction a stand-alone app ...

Few art forms on earth are more indebted to class privilege than Western classical music. For most of its history, it has relied on monarchs, aristocrats, and wealthy patrons even to exist. We have ...